F R A N Z 7 5
I AM
 AN ALIEN IN LOVE
    S E X   A N D   S C I E N C E   F I C T I O N
   
Clever editors used to attract readers (especially minors) by plastering the covers of SF magazines with half-naked girls molested by horrible monsters: yet science fiction has found sexual allusions incredibly embarrassing -- at least until the 60's. There were some exceptions: Alex Raymond's Flash Gordon allowed a naked leg or a fully covered breast to appear once in a while; Spicy Adventure Stories hosted the tales of Diana Daw, inevitably losing her clothes on some remote planet; but as a rule sex was reduced to the occasional ardent kiss. One reason for this was the widespread presence of robots in SF: as Harry Harrison said, robots can do everything much better than human beings -- except sex. Robots are more or less like Donald Duck and Bugs Bunny: they can appear naked because they have no sexual organs. It is likely that robots do have a little bit of secret fun among themselves but, with the exception of a few depraved electronics engineers, no human reader would find it of interest.
   
   
  Things were quite different once aliens reared their ugly heads: they were, in fact, the real pioneers of the sexual revolution in science fiction in the 70's. Nothing turned the young reader on more than a bunch of aliens trying to put their hands, or claws, or tentacles on our terrestrial girls: it was in the 70's that suckers began to suck nipples. Alien characters and semi-human beings (outcome of some strange genetic cross) had a great advantage: they could embody any sexual perversion forbidden to men. Philip Jose Farmer in The Lovers imagined a relationship between a man and an alien insect who was destined to die with the birth of her sons, larvae who instinctively devoured her body. In The Man Who Folded Himself David Gerrold duplicated the protagonist in many masculine and feminine copies, posing problems such as: is it homosexuality or masturbation when he copulates with a male copy of himself? Or: is it incest when he does it with a female? Frank Herbert's Mating Call described aliens who caused pregnancy in terrestrial women by playing their esoteric music. Proving that voyeurism is universal, Isaac Asimov wrote Playboy And The Slime God, where a bunch of extraterrestrials kidnap a man and a woman to see human sexuality at work.

In some movies of the 70's and 80's, SF was simply a vehicle for sex scenes: George Barr's Flesh (with an e) Gordon, whose adventures take place on the Planet Porno, for instance, or Baum Baum Thank You Superman, in which two Uranian soldiers are on mission to Earth to fecundate some terrestrial women. King Kong was the obvious prototype of this beauty-and-the-beast scheme, promulgating the basic, illogical idea that the human female is the sexual object, or the paradigmatic beauty. Thus, any being in the universe who is capable of thought has to be attracted by a pretty young terrestrial woman. Now just turn that point of view upside down: imagine you are a horrible terrestrial astronaut, with a strange naked skin, fingers similar to worms, and a ridiculous bush on a rounded head (which, in fact, you are); you invade Andromeda's third planet and you should feel incredibly attracted by the typical female of the planet: a green creature with six pairs of eyes and an exoskeleton similar to that of crabs....OK, it's still a carbon-based form of life, and you might have undertaken a long journey in abstinence, but it would nevertheless be quite difficult to get turned on, wouldn't it?

The trouble with alien sex is lack of communication. Some might say this is also the problem among human beings, but the point is that for our alien neighbors sensations and feelings are a different world. As the old example says, it's like trying to describe a color to someone born blind. What is white? It's the color of swans. And what is a swan? A bird with a long curved neck. Do you understand? OK, then you know what white is.... You can manage to understand what an extraterrestrial being thinks, but you won't guess what he feels. You can describe what oral sex is, but it will be hard for him to grok the pleasure you feel when doing it. Usually, SF's solution was to make alien sex as human as possible. This way, aliens became much closer to us, and also somehow appealing. Usually, the sexual relationship in the story takes place between a man or woman and an extraterrestrial, and the extraterrestrial is humanoid. Now, a humanoid is something very close to a human being, but with a fantastic aspect that makes the difference: it may have a tail or green skin, but it has to have a pretty girl's face. It may have a forked tongue and six arms, but it has to have a nice pair of tits. It may kill the men it loves like the black widow, but first it has to enjoy some good ol' human sex with them. And here SF gets also closer to the main aspect of morphing: that is, erotic fantasy.

   
   
We like women with breasts that are too big, for they are projections of our dreams. Girls like Chelsea Charms, that are somehow living morphs, are aliens, in the sense we just explained: we like them in that they are absolutely human, but they are something we don't see every day. Here we find a tip for those who are skeptical about the existence of aliens, too: I always say, if something like Minka does exist in the Solar System, you can bet we're not alone in the universe. And I'm almost sure that some of our space neighbors certainly have big, beautiful tits filled with some strange cosmic substance....

Thanks to St Stephan who, just before the editor's deadline, was able to correct my English in about 12 Martian seconds.

(Actually it took me somewhat longer - closer to 12 Uranian seconds, pausing only to urinate - but it was fun. - StS)

 
    model: PANDORA PEAKS
  morphs: FRANZ75 & KATIA