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I
was alone in the forest. Or so I imagined. This forest provided
shade but was without trees. The pathways that I traveled, rose
and fell according to the terrain, but were concrete sidewalks.
The vines hanging from the canopy above were, in fact, fire
escapes constructed on the outsides of lofts, tenements, factories,
and other structures beyond definition. I was left to fill out
the day without any plan or schedule in my own way according
to my own dreams.
My friend,
who is my favorite woman on the planet, had advised me that
she would take sanctuary for the weekend in her old university's
library to escape the heat, to find some solitude away from
the distractions that occur at home, and to attack the studies
material. The calendar had read that today was Saturday, and
we would not be seeing each other until Monday at the office.
I was free to explore this section of the city, free to find
adventure, and most of all, I would be free to let my eyes
lead me deep into this forest of dreams called Soho.
This section
of New York City is called Soho because its northern boundary
begins on the south side of Houston Street. In New York, we
like to say it this way: How-ston. SoHo stands for south of
Houston. Got it? It is an older part of the city, and has
emerged in the last 20 years as a haven for art, design, nouvelle
cuisine, photography, iconoclastic bookstores, sidewalk cafes,
and unusual restaurants and wine bars. With a variety of attractions,
it is no wonder that some of the city's most beautiful and
tantalizing women will seek their own adventures down in Soho.
Mercer
Street is a narrow north/south street, which parallels Broadway
and runs between Greenwich Village and Little Italy. In the
heart of Soho, and amongst nondescript loft buildings, warehouses,
small factories, and hundreds of doorways behind which the
mysteries of the city are hidden, is the Merc Bar. It is named
for Mercer Street, but I think you knew that. What makes the
place unusual is that there is no sign above the door, no
neon glittering "BAR", and the smoked glass does not allow
you to see into the place to get a hint of what is behind
the window. In short, you need to be taken there, or be incredibly
lucky to find the place.
You enter
from the street and must walk down a narrow hallway. You make
a right turn and then you are in. The place itself doesn't
need a description. It is a bar, and it is filled. The lighting
is low, and there is only a little motion as people stand,
grouped in pairs and threesomes at the bar, or congregate
in clusters at tables. The motion you are most aware of visually
is the movement of hands filled with glasses, or the gestures
of those in conversation.
But this
is not to be thought of as a frozen tableau. The waitresses
angle their way between the customers and the bar in the endless
cycle of ordering and delivering drinks. As people pass into
the beams from the few track lights, you catch glimpses of
beauty, which then vanishes into the shadows and darkness
only to emerge in another part of the bar, under another beam
of light, to become part of another separate and new tableau.
The timing
of my arrival was fortuitous as a small table became suddenly
available and I grabbed the table. I was now seated with a
suitable amount of space open in front of my table. My waitress
soon reappeared with my drink, and a double tequila on the
rocks was now before me. Also before me are the books I had
picked up earlier in the day: White Tiger by Joseph
Yogerst, The World of Suzie Wong by Richard Mason,
and Hong Kong by Jan Morris. A mystery, a tale of an
American sailor who falls in love with a local lass, and a
vivid account of local politics, society, and history...all
set in Hong Kong, where I would be going at the end of October.
I settled
in and nursed my drink. I got deeper into my thoughts as the
tequila worked its magic. The words on the pages I held in
my hands created images in my mind. I thought of teak-decked
Chinese junks underway in Victoria Harbor, I thought of the
park forest atop the Peak which overlooked all of Hong Kong
and Kowloon, and I thought of sleek Chinese women wearing
mandarin collared tight sheath dresses called cheongsams.
These dresses marvelously outline the shape of the woman wearing
it, and the slits along the side of the dresses allowed for
the flash of legs. Marvelous garments, indeed, and inspirational
and provocative and the source of many a male's fantasy including
the character of Suzie Wong herself.
Time passed.
I was deep into the words on the page. The 'Fragrant Harbor'
known as Hong Kong, with all its grand pleasures of the mind,
the spirit, and the flesh were coming to life as they entered
my reverie from the printed page. Suddenly a shadow crossed
my table. There was someone standing before me. She was back-lit
by the track light beam behind her. I couldn't see her face.
I lowered my gaze from the face I couldn't quite make out.
I was able to see a mandarin style collar and a string of
pearls. This was a cheongsam before me. I turned my
chair to get a better angle of light and looked at her again.
I was simply stunned to find an astonishingly beautiful woman
with enormous breasts standing in front of me.
I was
blown away by the size of this woman's breasts. I could see
her that her nipples were erect beneath the taut silk. The
sheer elegance and radiance of her manner made my heart began
to race. My imagination raced even faster. I looked again,
and I watched her breasts inflate to an even more impressive
size as she inhaled. I'm not sure, it may have been just a
second or two in real time, but in my fevered imagination,
we were already home in my bed.
Finally
I heard her say, "M goi...[Excuse me]. Nei yau mo
nui pang yau a? [Do you have a girl friend]?"
"Err...Mo.
[No]. Cheng Choh. [Please sit down]."
I watched
her ease her unbelievable body into the seat opposite me.
Her long hair fell forward and she used her hand to sweep
it back away from her face. I was captivated. I said, "Cheng
man gwai sing a [May I ask your name]?"
She replied,
"Giu ngoh Mai Ling dak la [You may call me Mai Ling]."
Within
the hour we were leaving the Merc Bar. A cab stood by the
curb as if it had been ordered in advance. The door swung
open and we climbed in. Mai Ling said something to the driver
up front and immediately we were on the way to another destination.
I put my head back and closed my eyes. I could feel her shoulder
against me and without seeing, I knew she was again sweeping
her hair back. I smiled and relaxed into the cab. I felt her
hand on my leg and I felt a rush of excitement.
____________________
"Excuse
me! Excuse me!"
I heard
this voice but couldn't figure out what she was saying. And
then, when it was repeated yet again...I slowly became aware.
There was no one named Mai Ling in my arms. I was not home
in bed with a huge hootered woman in my arms. In my hands
were a book and an empty glass, instead of a pair of big-nippled
breasts. I was alone, had not taken a cab, and I was still
in the Merc Bar.
The back-lit
woman in front of me was not wearing a cheongsam. She was
my waitress and she was asking me if I wanted another drink.
I looked closely at her. She was Asian and her name tag told
me her name was Marilyn. She was drop-dead gorgeous and I
caught a glimpse of something glittering on her finger, an
engagement ring. I paid her for my drink, and stood up and
made my way out of the Merc Bar.
As soon
as I got outside, I found that I was no longer on Mercer Street,
but instead I was on a pathway deep in the forest. Then I
heard a phone ringing. My answering machine in my apartment
clicked on. I listened from my own bed...Michael, Michael,
pick up the phone. It's me.... I'm at the Merc Bar. I'm done
studying...
"Oh geez.
I fell asleep. I got lost in the forest of my dreams. What?
You too? Hold that thought. We can talk about it. I'll be
right there. Sorry Babe, Mai Pehn Rai.
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